Art Advisory Services

I provide independent art advisory services for individuals interested in premodern European art, often referred to as Old Masters. I enjoy helping people build unique and interesting collections of enduring significance, through a combined application of academic research, curatorial vision, connoisseurial expertise, institutional access, and market research.

Working with an art advisor can bring clarity and professionalism to all aspects of your collection from strategic acquisition, effective long-term management, research, and valuation. If you are looking to build a collection, sell a work, lend it to a museum, organise a succession plan, or are seeking efficient fiscal planning, having a dedicated advisor can ensure your best interests are being protected.

My research interests are broad, but areas I am currently very excited about include: 

• Limoges medieval enamels 

• Illuminated manuscripts

• Parisian ivory carvings 

• Carved Netherlandish altarpieces 

• Flemish tapestries 

• Funerary art

• Chinese photography from the 20th century 

• American Abstract Expressionism

Building & Focusing the Collection

Every acquisition is informed by scholarship and close market knowledge. I will identify works of genuine quality and long-term relevance, according to your areas of interest, sourced across the full spectrum of the market, and manage every aspect of the acquisition and sale process on your behalf.

The most meaningful collections are shaped by a clear curatorial vision. In close collaboration with each client, I help to define and strengthen that vision over time — whether for long-term ownership or with an eye to the market — always acting exclusively in your interests.

The market for historic European art is by its nature restricted and shrinking. Working with me, you will gain access to areas of the art market which are based on personal relationships and trust whilst exercising absolute discretion and protecting you from unscrupulous actors, ensuring that what you acquire is the genuine article.

Managing The Collection

Collecting is an exciting endeavour; you are performing an important and useful role, acting as a custodian of our shared cultural heritage. But caring for your collection can be daunting. I can help you oversee all operational and logistical requirements of collection management, ensuring that every work is properly maintained, documented, insured, and cared for to museum standards. 

Education

An exceptional collection requires the development of certain faculties and can be a lifelong source of intellectual stimulation and pleasure. Cultivating familiarity with art historical principles of argumentation, the historical context you choose to engage with, and building a masterfully broad repertoire of visual references are all required to build a profound conversance with your chosen field. Likewise, your collection can be a valuable contribution to the field of art historical research as you see fit to promote. 

Regardless of what stage you find yourself in collecting, your thinking can benefit from an art historical interlocutor. Together, we can focus your research and work on refining your critical “eye” through one on one sessions. 

By working with me as your advisor, your engagement with art and art objects will expand to include attending research seminars, participating in art pilgrimages to private and institutional collections, and will establish you as a sophisticated and insightful voice in a conversation which passionate collectors have been having for centuries.

Charitable Giving

Art can serve as a powerful expression of philanthropic values. I advise on opportunities at the intersection of collecting and giving, helping to shape initiatives that are meaningful, well-considered, and aligned with the collection’s broader legacy. This can include building relationships with major institutions, supporting smaller more flexible charitable endeavors, or aligning your collection to support your existing charitable giving and mission.

Attributed to Conrat Meit (German, c. 1480–1550/1551), Head of a Man (possibly a portrait of Cicero, 106–43 B.C.), 1515–1520. © The J. Paul Getty Museum, Los Angeles. 96.SA.2.

Amico Aspertini (Italian, 1474/1475–1552), Massacre of the Innocents, c. 1510–1520. © The J. Paul Getty Museum, Los Angeles. 97.GB.49.